The Ffolliots of Redmarley — Text and Context

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Harker, L. Allen (Lizzie Allen), 1863-1933 Project Gutenberg 2007 Not confirmed
Young women -- Fiction; Mate selection -- Fiction; Social classes -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 75,382
Reading time 328 min
Text sections 7

The Ffolliots of Redmarley — Text and Context can be approached with a clearer sense of reading commitment from its source measurements: 75,382 words, 5 hr 28 min estimated reading time, and 7 detected text sections.

The text analysis averages about 18.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Young women -- Fiction,” connecting these edition facts with the source record’s subject description.

In L. Allen Harker's novel, a baby named Eloquent Gallup is destined for politics, but his path crosses the aristocratic Ffolliots, testing class boundaries and personal loyalties through an election scandal.
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Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

She did all this; but she did infinitely more. She gave him a son, and in that son all his hopes and dreams, his secret humilities and unconscious vanities, his political devotions and antipathies were all brought together and focussed in one great determination that this son of his should have all that he had been denied; that in this son every one of his own inarticulate aspirations should find a voice.

He was a Congregationalist and a prominent member of this sect, the chief dissenting body in Marlehouse. He read little poetry and no fiction, but he was widely read in and thoroughly conversant with all the political events and controversies of both his own generation and of the one before it. A political meeting was to him what a public-house is to the habitual drunkard; he could not pass it. He never spoke in public himself, but he longed to do so with a longing that was intense as it was hopeless. He knew his limitations, and was quite conscious that his English was not that of the platform.

Little Eloquent could never remember when he first began to hear the names that were afterwards to be the most familiar household words to him. Two names, two personalities ever stood out in memory as an integral part of his child-life--those of William Ewart Gladstone and John Bright.

These were his father's idols.

They glowed, fixed planets in the political firmament, stable, unquenchable, a lamp to the feet of the faithful. Each shining with a steady radiance that the divergence in their views on many points could neither confuse nor obscure.

The square, dogged, fighting face of the man of peace; the serene, scholarly, aquiline features of the great Liberal leader were familiar to the little boy as the face of his own father.

That John Bright died when Eloquent was about six made no difference in his influence. There were two likenesses of him in the sitting-room, and under one of these the words were inscribed: "Be just and fear not"; and Eloquent, who was brought up to look upon justice as the first of political virtues, used to wonder wistfully whether such fearlessness could be achieved by one whose face at present showed none of those characteristics of force, strength, and pugnacity manifested in the portraits of the great commoner. But he found comfort in the reflection that "Dada," mirror of all the virtues, was yet quite mild and almost insignificant in appearance; a small, stout, dapper, very clean-looking little tradesman, with trim white whiskers, a bald head, and a round, rosy face, wherein shrewd, blue eyes twinkled cheerfully.

No, dada bore not the slightest resemblance either to Mr Gladstone or Mr Bright, and yet, Eloquent reflected, "what a man he was!" Dada was the chief factor in Eloquent's little world--law-giver, lover, and friend.

It is probable that his childhood would have been more normal and less politically precocious had his mother lived. But she died when he was four years old, a fortnight after the birth of a little sister who lived but a few hours.

Abel Gallup's sister came to keep house for them, and luckily, she, like his wife, was sensible and kindly, but she stood in great awe of her brother and never dreamt of criticising his conduct. Now his wife had never spared him her caustic, common-sense comments. Politics, especially where they might have affected the well-being of the child, were strictly kept in their proper place, And naturally she considered that, in the upbringing of a very small boy, that place should be remote almost to invisibility.

With her death all this was altered. Abel Gallup was very lonely, and turned to his little son for comfort. The child was biddable, loving, and gentle, and "to please his dada" had ever been held before him as his highest honour and duty.

Before he could read he could repeat long portions from the various speeches his father particularly admired; he learned by heart easily and had a retentive memory, and his father had only to say over a sentence two or three times when the child was word perfect. It gave Abel Gallup the most exquisite delight to stand his little son between his knees and hear the stirring, sonorous sentences rolled out in the high, child voice; and even in those early days he used to impress upon Eloquent that when he was grown-up he "would have to speak different to dada."

The novel opens not with the Ffolliots but with a naming dispute. Mr. Gallup insists his newborn son be called Eloquent, arguing that a good name will shape the boy's future: 'Call a boy Eloquent and ten to one he'll be eloquent.' His wife objects that it is 'a queer name,' but Mr. Gallup envisions his son swaying multitudes as a politician. This comic yet pointed exchange establishes the book's interest in language, class, and self-making—themes that play out when Eloquent Gallup, now grown, encounters the aristocratic Ffolliot family.

A Name as Destiny

The opening chapter hinges on the power of naming. Mr. Gallup's folk logic—that a name can determine character—is treated with gentle irony, yet the novel tests his theory. Eloquent does become a politician, and his name proves apt. But the excerpts show that his eloquence is tested not on a public stage but in a private negotiation: he persuades policemen not to charge a drunken Grantly Ffolliot, appealing to 'ill-feeling' and exchanging something that 'changed hands.' Here, eloquence means quiet manipulation, not oratory. The name, then, is both fulfilled and subverted.

The Ffolliots Through Eloquent's Eyes

Though the Ffolliots give the book its title, they appear in the excerpts only through Eloquent's perception. Grantly Ffolliot is 'hatless, dishevelled, and unsteady,' yet Eloquent sees in his smile a resemblance to Mary Ffolliot, and feels 'shame' at the comparison. The family is described in reverent terms: Grantly's mother is 'a fixed star in the firmament of his admirations.' This suggests a social gulf—Eloquent, a Nonconformist politician, views the Ffolliots with a mixture of awe and moral discomfort. The catalog subjects list 'Social classes -- Fiction,' and the excerpts bear this out through Eloquent's internal conflict between his conscience and his deference to rank.

Electioneering and Its Discontents

The excerpts place the reader in the midst of a contested election. Eloquent's committee-room is targeted by stone-throwing youths; rival processions clash to the tune of 'Bonnie Dundee.' Yet the political content is filtered through personal drama. Eloquent's primary concern is not policy but managing Grantly's drunkenness to avoid scandal. The novel seems to treat electioneering as a backdrop for character interaction rather than a sustained exploration of politics. Readers expecting a detailed portrait of Edwardian campaigning may find the focus narrower, centered on how one man's ambition is complicated by his entanglement with a family he both admires and judges.

The excerpts offer a limited but suggestive view of the novel. They reveal a story less about the Ffolliots themselves than about Eloquent Gallup's navigation of class and conscience. Readers should attend to the gap between the title's promise and the actual narrative focus: the Ffolliots may be more symbol than substance. The book's humor, evident in the naming scene, may temper its moral seriousness. Approach it as a character study of a self-made man caught between aspiration and obligation.

There’s something tender about little Eloquent Gallup, a name carrying such weight for a child who just stumbles into the Ffolliots’ world. It makes me think of other quiet intersections between the accidental and the ancient, like in The Bronze Hand 1897 — Key Ideas to Explore, where a forgotten object nudges lives sideways. I still ponder how that old hand lingers, much like Harker’s class-crossing loyalties do.

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