The Vnfortunate Traveller, or The Life of Jack Wilton With an Essay on the Life and Writings of Thomas Nash by Edmund Gosse — Text and Context

Cambridge was the hotbed of all that was vivid and revolutionary in literature at that moment, and Robert Greene was the centre of literary Cambridge. When Nash arrived, Greene, who was seven years his senior, was still in residence at his study in Clare Hall, having returned from his travels in Italy and Spain, ready, in 1583, to take his degree as master of arts. He was soon, however, to leave for London, and it is unlikely that a boy of sixteen would be immediately admitted to the society of those "lewd wags" who looked up to the already distinguished Greene as to a master. But Greene, without doubt, made frequent visits to his university, and on one of these was probably formed that intimate friendship with Nash which lasted until near the elder poet's death. Marlowe was at Corpus, then called Benet College, during five years of Nash's residence, but it is by no means certain that their acquaintance began so early. It is, indeed, in the highest degree tantalizing that these writers, many of whom loved nothing better than to talk about themselves, should have neglected to give us the information which would precisely be most welcome to us. A dozen whole "Anatomies of Absurdity" and "Supplications of Pierce Penniless" might be eagerly exchanged for a few pages in which the literary life of Cambridge from 1582 to 1589 should be frankly and definitely described.

It has been surmised that Nash was ejected from the university in 1587. His enemy, Gabriel Harvey, who was extremely ill-informed, gives this account of what occurred:--

"[At Cambridge], (being distracted of his wits) [Nash] fell into diverse misdemeanours, which were the first steps that brought him to this poor estate. As, namely, in his fresh-time, how he flourished in all impudency towards scholars, and abuse to the townsmen; insomuch that to this day the townsmen call every untoward scholar of whom there is great hope, _a very Nash_. Then, being bachelor of arts, which by great labour he got, to show afterwards that he was not unworthy of it, had a hand in a show called _Terminus et non terminus_; for the which his partner in it was expelled the college; but this foresaid Nash played in it (as I suppose) the Varlet of Clubs.... Then suspecting himself that he should be stayed for _egregie dunsus_, and not attain to the next degree, said he had commenced enough, and so forsook Cambridge, being bachelor of the third year."

But, even in this poor gossip, we find nothing about ejection. Nash's extraordinary abuse of language is probably the cause of that report. In 1589, in prefacing his "Anatomy of Absurdity," he remarked:--

"What I have written proceeded not from the pen of vainglory, but from the process of that pensiveness, which two summers since overtook me; whose obscured cause, best known to every name of curse, hath compelled my wit to wander abroad unregarded in this satirical disguise, and counselled my content to dislodge his delight from traitors' eyes."

That the young gentleman meant something by these sentences, it is only charitable to suppose; that he could have been intelligible, even to his immediate contemporaries, is hardly to be believed. This "obscured cause" has been taken to be, by some, his removal from the University, and, by others, his entanglement with a young woman. It is perhaps simpler to understand him to say that the ensuing pamphlet was written, in consequence of an intellectual crisis, in 1587, when he was twenty years of age.

At twenty-two, at all events, we find him in London, beginning his career as a man of letters. His first separate publication seems to have been the small quarto in black letter from which a quotation has just been made. This composition, named an "Anatomy" in imitation of several then recent popular treatises of a similar title, is only to be pardoned on the supposition that it was a boyish manuscript prepared at college. It is vilely written, in the preposterous Euphuism of the moment; the style is founded on Lyly, the manner is the manner of Greene, and Whetstone in his moral "Mirrors" and "Heptamerons" has supplied the matter. The "absurdity" satirized in this jejune and tedious tract is extravagant living of all kinds. The author attacks women with great vehemence, but only in that temper which permitted the young Juvenals of the hour to preach against wine and cards and stageplays with intense zeal, while practising the worship of all these with equal ardour. "The Anatomy of Absurdity" is a purely academic exercise, interesting only because it shows, in the praise of Sidney and the passage in defence of poetry, something of the intellectual aptitude of the youthful writer.