Una of the hill country 1911 — A Reader’s Guide

source needed no argument. In either case the result was the same. Within ten minutes the grounds of the famous barbecue and bran dance were deserted. The cumbrous wagons, all too slow, were wending with such speed as their drivers could coerce the ox-teams to make along the woodland road homeward, while happier wights on horseback galloped past, leaving clouds of dust in the rear and a grewsome premonition of being hindmost in a flight that to the simple minds of the mountaineers had a pursuer of direful reality.

The state of a candidate is rarely enviable until the event is cast and the postulant is merged into the elect, but on the day signalized by the barbecue, the bran dance, and the rout the unfortunate aspirants for public favor felt that they had experienced the extremest spite of fate; for although they realized in their superior education and sophistication that the panic-stricken rural crowd had been tricked by some clever ventriloquist, the political orators were left with only the winds and waters and wilderness on which to waste their eloquence, and the wisdom of their exclusive method of saving the country.

Brent Kayle's talent for eluding the common doom of man to eat his bread in the sweat of his face was peculiarly marked. He was the eldest of seven sons, ranging in age from eleven to twenty years, including one pair of twins. The parents had been greatly pitied for the exorbitant exactions of rearing this large family during its immaturity, but now, the labor of farm, barnyard and woodpile, distributed among so many stalwart fellows of the same home and interest was light and the result ample. Perhaps none of them realized how little of this abundance was compassed by Brent's exertions--how many days he spent dawdling on the river bank idly experimenting with the echoes--how often, even when he affected to work, he left the plow in the furrow while he followed till sunset the flight of successive birds through the adjacent pastures, imitating as he went the fresh mid-air cry, whistling in so vibrant a bird-voice, so signally clear and dulcet, yet so keen despite its sweetness, that his brothers at the plow-handles sought in vain to distinguish between the calls of the earth-ling and the winged voyager of the empyreal air. None of them had ever heard of ventriloquism, so limited had been their education and experience, so sequestered was their home amidst the wilderness of the mountains. Only very gradually to Brent himself came the consciousness of his unique gift, as from imitation he progressed to causing a silent bird to seem to sing. The strangeness of the experience frightened him at first, but with each experiment he had grown more confident, more skilled, until at length he found that he could throw a singularly articulate voice into the jaws of the old plow-horse, while his brothers, accustomed to his queer vocal tricks, were convulsed with laughter at the bizarre quadrupedal views of life thus elicited. This development of proficiency, however, was recent, and until the incident at the bran dance it had not been exercised beyond the limits of their secluded home. It had revealed new possibilities to the young ventriloquist and he looked at once agitated, excited, and triumphant when late that afternoon he appeared suddenly at the rail fence about the door-yard of Valeria Clee's home on one of the spurs of Chilhowee Mountain. It was no such home as his--lacking all the evidence of rude comfort and coarse plenty that reigned there--and in its tumbledown disrepair it had an aspect of dispirited helplessness. Here Valeria, an orphan from her infancy, dwelt with her father's parents, who always of small means had become yearly a more precarious support. The ancient grandmother was sunken in many infirmities, and the household tasks had all fallen to the lot of Valeria. Latterly a stroke of paralysis had given old man Clee an awful annotation on the chapter of age and poverty upon which he was entering, and his little farm was fast growing up in brambles.

“But 't ain't no differ, gran Mad,” Valeria often sought to reassure him. “I'll work some way out.”

And when he would irritably flout the possibility that she could do aught to materially avert disaster she was wont to protest: “You jes' watch _me. I'll_ find out some way. I be ez knowin' ez any old _owel_.”